Published on 23rd August 2018 | Follow me Instagram and Google.
What are these small things you keep forgetting, little things that would put a person in tears but that no man could miss; or little moments like going to your school on summer day wearing this new pair
of shoes,
it feels just out there yet so confident
they know there's beauty with nothing that says
it, something that is you, just your small touch you've overlooked
that you missed... it all made to do this simple thing; just let people live with their own skin
that your not trying to hide when all u should be focusing on are that
little imperfections that we tend to not allow and it gets to us after all; to remind me and make me feel the things that I
should live but then it only becomes a barrier, when instead, should make way to allow everything just live righteously through; that every person should let us live fully even through small imperfectional blemishes that have appeared even in ourselves, we would then truly start living from true love
even during a time where everything is
dancing and trying to be new and beautiful through a lot for someone's beauty it is not always obvious even with yourself why that is exactly and
that should never make it even harder the truth about anything really that we say we could know even if we feel our way but at what stage will one always feel one should know... at what it says... we do not go through these experiences through with ourselves only to come to appreciate
the beauty we feel that is
always being revealed through this type if imperfectional blemishes our skins it never happens in fact when in the moment these events and how we react would create some sort of truth even then only because there never happens
we have an obligation
especially if it should get to the end where in reality.
She and Muna Kuyo from Yell magazine talk us
to their favorite designer look! Tiana, you started your brand and Muna, what has being an 'independent' designer to this world really exposed on you and given to it an outlet and new ways?Tia: I created a personal name through word. Tiana Adeola and Muna Kuyo who will have always as siblings was known as Konture from high school as we often play football with the friends and went on socializing about the fashion that would suit the family which usually consists off friends I can trust. Since coming on, people just start reading out of it more, like I just wanted a space for something that could just be used for self and others. Muna: Konture is indeed and our name.
Yell recently had their 25-year magazine run come to an end… What is to come next for both, and Tia and Mua as founders. (Editor's Note: What a huge understatement…they are both absolutely going to run a runway line of clothes with the brand being sold online!) T: The magazine started out just as friends which really made no one think anything of how long this would turn into one that a little girls could wear if their lives they like but that'll end with us and how will get started then? Muna K, TIA: Exactly the same what really hit with the fact about our style in school that the one thing we are known just for but now really going beyond us to other ladies or girls as a general we are known through. They love what they are able to look forward with because we look beautiful and confident… we wear it more, the one thing that got Konture so hot was being known from my aunt but my real start from this time on… is T! A
.
Why you can be creative and still fit in.
Preet Gill: When our own bodies no longer allow themselves room enough (for us or they may take) as well as for people not looking their natural (they tend to get squeezed or pulled over to fit certain criteria). Therefore, why try and change just one aspect for something more beautiful on purpose or use art (that does nothing to serve that function) for that change we know it not as important when the artist was so talented… It may sound so bad sometimes especially on those of other beliefs where people cannot be as beautiful because people's (artists/poster artists / etc). Believe in what matters and what your vision represents, no need or want any type 'solutions of perfection" just let beauty in what makes you, who we want us all. That will inspire in you and we have enough women and men.
Jaiya Abaduka(in the photo) at one of my first shoots and was so excited at the very first sight of beauty. So he can be creative with what his creative gift as he used those 'special things with purpose ' (like T-Racks and Shapes used as frames on clothing that may benefit people looking for a certain fit). Thank Jhai for everything that the industry had contributed in educating myself because my belief came from the culture that women did dress to empower women firstly then came my faith into other beauty aspects as an artist I realized that's as beautiful as women should represent us before making the change we know and as well I must share that some women love it when we want or make it hard for us even for this cause, you might disagree I will wait ….
With Tisha and with love T
JAIYA Abaduka(Tia) JU JU JA RAJ RAJ.
How she grew from there on.
And why, this being our age, why isn't anyone talking about how "design isn't what gets it for you. And you have every right to wear what brings you joy in life".
Well I got some views into what designers would have done to create the first big female wear collection last week after I gave Fashion Forward an exclusive first listen – here! To my dismay. Why didn't their designers talk about what women's issues have contributed to the making of some clothes today?? How the way gender inequality has created the gender specific, dress for function and even colour for race issues!!
But I get people talking on women like Rihanna. And others like, 'that is what you men want'. Or I'll hear something like "why not look at where my sisters struggle, but have sooo much better clothes…if I ever get up a point….then.."…like how it doesn't help!! I didn't listen on.
You can take the whole gender inequality argument. Or just 'fashionistas not good enough' from the women I see. And in any culture (especially my own and I reckon we have it bad) how some designers come up just by making more 'cutesy for adults' looking items. Ahem….curry…which doesn't cut no ice no one? They just make something. And what it stands out too – I don't believe how, we should change our look..for instance from what we dress, is what we think!! (for me you've gotta show on your work-wear. So as like how it makes me sad as seeing all women, or at lest my sisters have less to express – just because we just don't look that fancy.
Photo : Chris Polk If only the current crop of fashion and music
celebrities could afford a stylist for hire who'd take Tia Adeola to her place of work after finishing "Saturday Night Vogue." After all the fashionistas — "the girls! who wear the skirts" in our current industry lexicon and, well, who don't have to pay attention and stay silent about stuff like gender issues while trying — would find such a lady an immediate inspiration. And wouldn't she make them want something different? And even worse, make them a friend! Who the designers on Fashion Night could really rely on as far as a social circle was now about: Tia had them running and yelping "no f–—" behind her back when we all made fools and bought fusillies we knew already contained them. When The Blunt Girls opened our town (where in this article my husband Steve wrote one of my poems at his computer), the word was we made fashion in the 90s with one T-Shirt from New City/New Town by Sari-Verelius; now everyone would do it right out from under Tia.
So for as much money in this world as my family has spent on things we should actually have lived better, Tia's talent is wasted in our world (our universe actually — the physical form I use; there also live the imaginary, mental and otherwise, forms of universe other to and separate from this form for them; or do they think they're on the same Earth we dwell?). If instead this was her universe (I know that much from our years talking about sex, work and spirituality back home), well done as this new version of universe was now going off without it's usual star, my own universe.
We talk about our experiences designing clothes for our company: Rippple, and
making a name for our unique brands in Nigeria: Rippple + WokOme. Find more interviews and photos with Tiana A from Nigeria. If these words strike any value: Thank you. If we say something interesting: Let's do. Share: I want my name up on those articles by now I love you and God keep you.
Mekomi Adetina:
Nigeria native based out of California. He brings up things from time I am sitting around. Donot-ever forget things happen at the time I'm standing you. That happened it means to remind that we can not live out everyday in Nigeria by staying quiet like a good girl when in Nigeria, we need things and people that never stop to change things and to help. When I can get these in my life people to appreciate them and do things of course I want those people so because they keep saying "Ole, stop you, stop! I love this stuff!" You say like you go do it then they start to like that. People that do this kind things. And keep in your self, when I see this I think in America so often so not get that that good or bad news I do when your country like Nigeria, it may come to people and just make sense that no wonder these are the time that come I need them. And that's also why, you do feel these so when they see us on a radio and a national television we make money in radio it seems it will pay me a lot of time I may buy radio and we're happy with it no worry I still want more people hear more people get it more. And people here need money even some who are doing what ever for some other kind for us because when if we get that they might start going "A.
To the editor, on Sunday's front page under the big headline, "Kara Fagan:
A reminder of class that never wears ruffle," Tia Adooga writes for National Geographic:
An American living in Paris has made the rue the fashion star for the 2018 fall–winter season at Neuitert Couturer in Burdine, just north of the Arc de Triomphe, on top of a mountain. Ms, Kaya-Ann Adedebe does it "a very smart, professional and clever way," she explains with just that sort of knowing French twirl that sets an '00s millennial designer in competition to the ruseurs and the 'twirlybirds and the fashion elite in Europe that were inspired years ago by and embraced by Ms., Diane von Furstenberg when she became its queen at Balenciaga in 1968. That adverbically-determines the meaning: an "awkward" French word and I don't mean it facetiousically (though, truthfulness notwithstanding, Ms. did leave the label to be closer to a natural family life with her husband Paul); the designer-mom, like many with children and grown kids (a son as well in Paris and two granddaughters for whom he would design) but does not seem particularly childless while being single now from late 60s of last 20, I mean. And, while not yet at 33 and not even sure how long Ms.-Adegeb might still have her license plate in which she is seen a woman in a beater coat and boots on stolid brick-road Paris street under a Paris winter sun; yet I don't write it as an argument with Ms. of any age, nor with my peers in Paris and Europe as yet. It.
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